|
Video Lighting Tutorial (if you wish to shoot your own video)
Three-Point Lighting Basics
Making sure your lighting in your video looks good all comes down to video lighting basics. The best place to start is with three-point lighting.
Learning how to use lights will bring your productions to a new, more professional-looking level, and basic three-pointing contains the building blocks of nearly all lighting.
Three-point lighting consists of, as you might imagine, three lights: the Key, the Fill and the Back. Together these serve to wrap your subject in light, creating shadows that define the subject like a person's face, but do not overpower it.
The Key
The Key light is placed about 45 degrees to the subject, either left or right, usually above and aimed down between 30 and 45-degrees. It is the dominant light. Position this light as you would if it were the only light you had. From this, you'll have defining shadows on the face which would be lost if the light were on a similar axis to the camera, but you'll notice that, in a room with no other lighting, it will create deep, dark shadows. Toning down those shadows is the job of the next light.
The Fill
The Fill is usually two or three stops dimmer than the Key light, and its placement is at a near 45-degree angle on the opposite side of the camera, often on a level with the subject's face. The Fill light is a reaction to the key light, and its ultimate placement depends on the function of the Fill - what shadows does it create? Where do you need to reduce them?
The Fill light can be the same size as the key light in wattage and bulb size, but you might then place it further away than the key. Watch as the fill drives back the shadows; though the lighting is not nearly as harsh, these two together still present a very two-dimensional view. The job of the third and final light is to create a sense of distance between the subject and the background, giving an illusion of a third dimension on the screen.
The Back Light
The Back Light , sometimes called a rim or shoulder light, is aimed at the subject's back, and, like the key light, it is usually 45-degrees off the axis and shines down upon the subject. This creates a bright rim around part of the subject, creating an outline which then appears to separate the shoulders from the background. The Back Light should be at least as bright as the key, often brighter.
Common Variations
Three-point lighting is a start - it's a basic form from which many other types of lighting develop, and you shouldn't be afraid to experiment with it. Here are some common variants of three point lighting.
Three-point lighting with only two lights: Very often you can use three-point lighting without having three physical lights - many times you might be able to use window light or direct sunlight as your Key.
Another common trick is to use a reflector instead of a Fill light. Reflectors come in all shapes and sizes - large collapsible disks, a piece of foam core, a homemade construction of tin foil and cardboard or just someone with a white shirt simply standing near the subject to reflect some light back.
Diffuse or not? While three-point lighting has been around for a long time, the type of diffusion to use with the lights doesn't seem to be universal. Often in film or video from the 70s and 80s, you'll see bright lights with harsh shadows which attack our modern sensibilities and have us screaming "soft box!" Putting the key and fill inside soft boxes or behind umbrellas is usually the thing to do. You can cover the rim light with a grid or snoot to keep the light focused specifically on the shoulder and back of the head and avoid spill. The Key and the Fill should be more diffused than the rim.
Bringing Them All Together
It's best to have some space between your subject and the background, not just so you can fit the back light and its stand in, but also to give some distance, usually in the form of an out-of-focus area that you create by a long lens and a wide f-stop. Ten to fifteen feet is optimal, but we don't live in a perfect world and you take what you can get.
Adjusting the three lights can be a bit tricky at first, and it's beneficial to add them one at a time and observe how they affect one another. Add the Key light first, and look at it both diffused (through an umbrella or even with just a diffuser in front of a barn door) and bare, then add the Fill light. If you're using a hot light rather than a reflector as a Fill, you'll also be able to see how it looks diffused and bare. Finally, add the Back Light. Try it from above aimed down, but also try it on the floor aimed up.
| |